Patrick Reuter Architecture

About

Patrick Reuter is a Swiss architect. He studied at ETH Zurich and the University of Buenos Aires (UBA). Patrick worked for the Ateliers Jean Nouvel in Paris, Richter-Dahl Rocha in Buenos Aires and Christ and Gantenbein in Basel. Patrick is the founder of the architectural practice Patrick Reuter Architecture based in Basel. Alongside the practice, Patrick has taught at Professor Marc Angelil’s studio, Institute for Urban Design, at the ETH and has conducted research on Latin American modernity, funded by the Erich Degen Foundation. Patrick is the winner of the emerging practitioner teaching fellowship at the University of Miami School of Architecture (2017/18), where he led a design studio and conducted research on Florida`s Brutalist Architecture. His work has received various national and international awards.

 

Architecture must be present, not out of complacency, but out of responsibility towards space, needs and context. The context is constantly changing, the conditions and state are never the same, but the attitude must always be as persuasive and coherent. Architecture needs courage and a keen sense at the same time. It is a balancing act between self-confidence and responsibility. 

Contact

Patrick Reuter Architecture ltd. ETH SIA

Erlenmattweg 7, 4058 Basel, Switzerland

151SE 1st St., Suite 3110, Miami FL 33131, United States

 

Please get in touch. By telephone +1 (786) 477-9377 (United States) or +41 (0)78 870 9787 (Switzerland) or write to mail@pr-a.ch.

PROJECTS YEAR LOCATION PROGRAM FLOOR AREA STATUS
Casa Cumbaya Year: 2020 Location: Quito, EC Program: Private Floor Area: 1050 m2 Status: Conceptual Design
Courtyard House Year: 2019 Location: Basel, CH Program: Private Floor Area: 290 m2 Status: Conceptual Design
The Red Building and the Green Machine: Chancellery of Switzerland in Singapore Year: 2019 Location: Singapore Program: Working Floor Area: 1950 m2 Status: Competition
The Blue House Year: 2019 Location: Miami, FL Program: Private Floor Area: 700 m2 Status: Study
Structural Convergence Year: 2018 Location: Basel, CH Program: Private Floor Area: 170 m2 Status: Conceptual Design
The Corner: Apartment Building Brickell Year: 2018 Location: Miami, FL Program: Private Floor Area: 4000 m2 Status: Study
The South Campus of Miami, a concrete presence and urban collective Year: 2018 Location: Miami, FL Program: Public Floor Area: 600000 m2 Status: Design Studio
City Archive and Ambulance-Garage Biel Year: 2017 Location: Biel/Bienne, CH Program: Public Floor Area: 4162 m2 Status: Competition
Residential House Vischer-Weber, Remodel and Extension Year: 2017 Location: Riehen, CH Program: Private Floor Area: 393 m2 Status: Study
Maintenance Depot Birmensdorf Year: 2017 Location: Birmensdorf, CH Program: Working Floor Area: 1569 m2 Status: Competition
Residential House and Artist’s Workshop Erni-Kofler Year: 2017 Location: Riehen, CH Program: Private Floor Area: 445 m2 Status: Study
Constructive Contradictions: House in Riehen Year: 2016 Location: Riehen, CH Program: Private Floor Area: 297 m2 Status: Built
Twin-House Year: 2016 Location: Sissach, CH Program: Private Floor Area: 730 m2 Status: Conceptual Design
Apartment Building Remodel and Extension Froburgstrasse Year: 2015 Location: Basel, CH Program: Private Floor Area: 595 m2 Status: Built
Multi-Purpose Building School Complex Rueti Year: 2015 Location: Rueti, CH Program: Public Floor Area: 480 m2 Status: Competition
Wasgenring Elementary School Complex Fritz Haller Year: 2014 Location: Basel, CH Program: Public Floor Area: 1981 m2 Status: Competition
Renovation Apartment Building Gundeldingerstrasse Year: 2014 Location: Basel, CH Program: Public Floor Area: 765 m2 Status: Built
Landhof Pavilion and Recreation Area Year: 2013 Location: Basel, CH Program: Public Floor Area: 980 m2 Status: Competition
Museum of Bavarian History Year: 2013 Location: Regensburg, DE Program: Public Floor Area: 8500 m2 Status: Competition
Psychiatric Clinic for the Adolescent Year: 2012 Location: Basel, CH Program: Public Floor Area: 7270 m2 Status: Competition
Mid Century House Remodel Queens Road Year: 2013 Location: Los Angeles, CA Program: Private Floor Area: 270 m2 Status: Study
Elementary School and Gymnasium Allschwil Year: 2012 Location: Allschwil, CH Program: Public Floor Area: 16745 m2 Status: Competition
Chancellery of Switzerland in Nairobi Year: 2012 Location: Nairobi, KE Program: Public Floor Area: 592 m2 Status: Competition
Indoor Swimming Pool Gland Year: 2011 Location: Gland, CH Program: Public Floor Area: 2062 m2 Status: Competition
Apartment Attic Extension and Remodel Brombacherstrasse Year: 2012 Location: Basel, CH Program: Private Floor Area: 719 m2 Status: Built
Firestation and Education Center for Eastern Switzerland Year: 2011 Location: Bernhardzell, CH Program: Working Floor Area: 3827 m2 Status: Competition
PUBLICATIONS YEAR TYPE AUTHORS
Photo series: Grenzen/ Borders, Europäischer Architekturfotografie-Preis Year: 2016 Type: Photography Authors: Patrick Reuter
Light and heavy, a report on a built vision of Brazilian modernity Year: 2013 Type: Essay Authors: Patrick Reuter
Photo series: Brazilian Modernism – Architecture by Artigas Vilanova, Afonso Reidy, Oscar Niemeyer Year: 2013 Type: Photography Authors: Patrick Reuter
There is no there there, Urbanism in the Periphery Year: 2012 Type: Diploma Booklet Authors: Professor Marc Angélil, Patrick Reuter, Thomas Wyssen
Yearbooktext ETH Zurich, Professor Marc Angélil Year: 2012 Type: Text Authors: Professor Marc Angélil, Patrick Reuter
ACADEMIC YEAR POSITION SUBJECTS
U-SoA, University of Miami, School of Architecture Year: 2020 Position: Adjunct Professor Subjects:

Secondary City, Design Studio

Miami Underground, Overground, Grounded, Directed Design Research

Architectural Design IV. BArch

HKU, University of Hong Kong, Faculty of Architecture Year: 2019 Position: Guest Critic Subjects:

MArch Final Review and Public Forum

U-SoA, Rome Center Year: 2019 Position: Guest Critic Subjects:

Final Review, Professor Jean-Francois Lejeune

ETH Zurich, Department of Architecture Year: 2018/ 2019 Position: Guest Critic Subjects:

Final Review, Professor Marc Angélil

U-SoA, University of Miami, School of Architecture Year: 2017–2018 Position: Visiting Assistant Professor, Emerging Practitioner Teaching Fellowship Subjects:

The Miami South Campus, a concrete presence and urban collective

Concrete Miami, Seminar

Design is to give presence, Currents 2017-18 Lecture Series, Symposium with Mauro Turin

ETH Zurich, Departement of Architecture Year: 2011–2012 Position: Assistant, Design Studio Professor Marc Angélil Subjects:

There is no there there, Urbanism in the Periphery, Master Thesis

Roh, Rauh, Robust, Architecture as Infrastucture:
Gotthard, Design Studio

Visionary Notations – Along the Line, Zurich West Hardbrücke-Altstetten, Design Studio

Achtung die Schweiz, Das Furttal, Metropolitanregion Zurich, Design Studio

EXHIBITIONS YEAR LOCATION
The City and the World Exhibition, IAA Year: 2019 Location: Athens, GRC
The South Campus of Miami, a concrete presence and urban collective Year: 2018 Location: Korach Gallery, University of Miami, FL
Built Dualism, Houses of the Year 2017, German Architecture Museum (Deutsches Architekturmuseum DAM) Year: 2017 Location: Frankfurt, DE
Exposition Trinationale, Maison Européenne de l’Architecture/ Europäisches Architekturhaus Year: 2017 Location: Strassbourg, FR
Werkschau für Schweizer Architektur, architektur 0.16 Year: 2016 Location: Zurich, CH
Konferenz: Schweiz – Räumlicher Stand der Dinge, SAM Schweizerisches Architekturmuseum Year: 2014 Location: Basel, CH
AWARDS YEAR
The International Architecture Award, The Chicago Athenaeum Museum of Architecture and Design/ The European Centre for Architecture Art Design and Urban Studies Year: 2019
Emerging Practitioner Teaching Fellowship, U-SoA Year: 2017/ 2018
Merit Award „Houses of the Year 2017“ by Callwey and the German Architecture Museum DAM Year: 2017
Best Architects Gold Award Year: 2017
Special Mention Architizer A+ Awards for the Private House Year: 2017
Swiss Architecture Award, Arc-Award, Gold/ 1.Prize Year: 2016
Finalist The Architectural Review Emerging Architecture Award Year: 2016
Nomination Swiss Architects Bau der Woche Year: 2016
Nomination Archithema: Der bester Umbau Year: 2016
Scholarship Erich Degen Foundation, ETH Zurich Year: 2013
Diploma Yearbook and Exhibition, ETH Zurich Year: 2008
PROFESSIONAL AFFILIATIONS
AIA, The American Institute of Architects, International Associate Member since 2019
Docomomo Switzerland/Florida, International committee for documentation and conservation of buildings, sites and neighbourhoods of the modern movement, Member since 2016/17
SIA, Swiss Society of Engineers and Architects, Member since 2009

Website designed by Ronnie Fueglister and programmed by Lorenz Peter.
All site content is subject to work of Patrick Reuter Architektur GmbH and is only to be used and reproduced with written permission.

Privacy Policy

*** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** PERCEPT, AFFECT AND CONCEPT *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** DON`T SHOW EVERY SIDE OF THINGS *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** DESIRING MACHINES *** SALAO CARAMELO *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** DESIGN IS TO GIVE PRESENCE *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** PRESENCE AGAINST EXISTENCE *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** A DEEP TIME JOURNEY *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** SOME DON`T WORK WITH THE SAME GRAVITY *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** CONSTRUCTIVE CONTRADICTIONS *** *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED
*** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** PERCEPT, AFFECT AND CONCEPT *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** DON`T SHOW EVERY SIDE OF THINGS *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** DESIRING MACHINES *** SALAO CARAMELO *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** DESIGN IS TO GIVE PRESENCE *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** PRESENCE AGAINST EXISTENCE *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** A DEEP TIME JOURNEY *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** SOME DON`T WORK WITH THE SAME GRAVITY *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** CONSTRUCTIVE CONTRADICTIONS *** *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED
*** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** SALAO CARAMELO *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** PRESENCE AGAINST EXISTENCE *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** DON`T SHOW EVERY SIDE OF THINGS *** SOME DON`T WORK WITH THE SAME GRAVITY *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** *** DESIGN IS TO GIVE PRESENCE *** PERCEPT, AFFECT AND CONCEPT *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** CONSTRUCTIVE CONTRADICTIONS *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** DESIRING MACHINES *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** A DEEP TIME JOURNEY
*** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** SALAO CARAMELO *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** PRESENCE AGAINST EXISTENCE *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** DON`T SHOW EVERY SIDE OF THINGS *** SOME DON`T WORK WITH THE SAME GRAVITY *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** *** DESIGN IS TO GIVE PRESENCE *** PERCEPT, AFFECT AND CONCEPT *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** CONSTRUCTIVE CONTRADICTIONS *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** DESIRING MACHINES *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** A DEEP TIME JOURNEY
*** DON`T SHOW EVERY SIDE OF THINGS *** SALAO CARAMELO *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** DESIGN IS TO GIVE PRESENCE *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** A DEEP TIME JOURNEY *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** PRESENCE AGAINST EXISTENCE *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** CONSTRUCTIVE CONTRADICTIONS *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** PERCEPT, AFFECT AND CONCEPT *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** DESIRING MACHINES *** SOME DON`T WORK WITH THE SAME GRAVITY *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS
*** DON`T SHOW EVERY SIDE OF THINGS *** SALAO CARAMELO *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** DESIGN IS TO GIVE PRESENCE *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** A DEEP TIME JOURNEY *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** PRESENCE AGAINST EXISTENCE *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** CONSTRUCTIVE CONTRADICTIONS *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** PERCEPT, AFFECT AND CONCEPT *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** DESIRING MACHINES *** SOME DON`T WORK WITH THE SAME GRAVITY *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS
*** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** DESIGN IS TO GIVE PRESENCE *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** PERCEPT, AFFECT AND CONCEPT *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** SOME DON`T WORK WITH THE SAME GRAVITY *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** PRESENCE AGAINST EXISTENCE *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** DESIRING MACHINES *** DON`T SHOW EVERY SIDE OF THINGS *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** *** A DEEP TIME JOURNEY *** *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** CONSTRUCTIVE CONTRADICTIONS *** SALAO CARAMELO
*** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** DESIGN IS TO GIVE PRESENCE *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** PERCEPT, AFFECT AND CONCEPT *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** SOME DON`T WORK WITH THE SAME GRAVITY *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** PRESENCE AGAINST EXISTENCE *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** DESIRING MACHINES *** DON`T SHOW EVERY SIDE OF THINGS *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** *** A DEEP TIME JOURNEY *** *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** CONSTRUCTIVE CONTRADICTIONS *** SALAO CARAMELO
*** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** DESIRING MACHINES *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** SOME DON`T WORK WITH THE SAME GRAVITY *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** DON`T SHOW EVERY SIDE OF THINGS *** DESIGN IS TO GIVE PRESENCE *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** CONSTRUCTIVE CONTRADICTIONS *** A DEEP TIME JOURNEY *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** *** PERCEPT, AFFECT AND CONCEPT *** *** PRESENCE AGAINST EXISTENCE *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** SALAO CARAMELO *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY
*** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** DESIRING MACHINES *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** SOME DON`T WORK WITH THE SAME GRAVITY *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** DON`T SHOW EVERY SIDE OF THINGS *** DESIGN IS TO GIVE PRESENCE *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** CONSTRUCTIVE CONTRADICTIONS *** A DEEP TIME JOURNEY *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** *** PERCEPT, AFFECT AND CONCEPT *** *** PRESENCE AGAINST EXISTENCE *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** SALAO CARAMELO *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY
*** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** DON`T SHOW EVERY SIDE OF THINGS *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** *** SALAO CARAMELO *** PRESENCE AGAINST EXISTENCE *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** DESIRING MACHINES *** A DEEP TIME JOURNEY *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** CONSTRUCTIVE CONTRADICTIONS *** PERCEPT, AFFECT AND CONCEPT *** DESIGN IS TO GIVE PRESENCE *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** SOME DON`T WORK WITH THE SAME GRAVITY *** *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED
*** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** DON`T SHOW EVERY SIDE OF THINGS *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** *** SALAO CARAMELO *** PRESENCE AGAINST EXISTENCE *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** DESIRING MACHINES *** A DEEP TIME JOURNEY *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** CONSTRUCTIVE CONTRADICTIONS *** PERCEPT, AFFECT AND CONCEPT *** DESIGN IS TO GIVE PRESENCE *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** SOME DON`T WORK WITH THE SAME GRAVITY *** *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED
*** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** SOME DON`T WORK WITH THE SAME GRAVITY *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** DESIRING MACHINES *** CONSTRUCTIVE CONTRADICTIONS *** A DEEP TIME JOURNEY *** *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** DESIGN IS TO GIVE PRESENCE *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** SALAO CARAMELO *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** DON`T SHOW EVERY SIDE OF THINGS *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** PERCEPT, AFFECT AND CONCEPT *** PRESENCE AGAINST EXISTENCE *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER
*** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** SOME DON`T WORK WITH THE SAME GRAVITY *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** DESIRING MACHINES *** CONSTRUCTIVE CONTRADICTIONS *** A DEEP TIME JOURNEY *** *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** DESIGN IS TO GIVE PRESENCE *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** SALAO CARAMELO *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** DON`T SHOW EVERY SIDE OF THINGS *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** PERCEPT, AFFECT AND CONCEPT *** PRESENCE AGAINST EXISTENCE *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER
*** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** SOME DON`T WORK WITH THE SAME GRAVITY *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** SALAO CARAMELO *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** PRESENCE AGAINST EXISTENCE *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** *** DESIRING MACHINES *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** PERCEPT, AFFECT AND CONCEPT *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** A DEEP TIME JOURNEY *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** CONSTRUCTIVE CONTRADICTIONS *** DON`T SHOW EVERY SIDE OF THINGS *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** DESIGN IS TO GIVE PRESENCE *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS
*** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** SOME DON`T WORK WITH THE SAME GRAVITY *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** SALAO CARAMELO *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** PRESENCE AGAINST EXISTENCE *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** *** DESIRING MACHINES *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** PERCEPT, AFFECT AND CONCEPT *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** A DEEP TIME JOURNEY *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** CONSTRUCTIVE CONTRADICTIONS *** DON`T SHOW EVERY SIDE OF THINGS *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** DESIGN IS TO GIVE PRESENCE *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS
*** DESIRING MACHINES *** SALAO CARAMELO *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** *** DESIGN IS TO GIVE PRESENCE *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** SOME DON`T WORK WITH THE SAME GRAVITY *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** DON`T SHOW EVERY SIDE OF THINGS *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** CONSTRUCTIVE CONTRADICTIONS *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** A DEEP TIME JOURNEY *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** PERCEPT, AFFECT AND CONCEPT *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** PRESENCE AGAINST EXISTENCE *** *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS
*** DESIRING MACHINES *** SALAO CARAMELO *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** *** DESIGN IS TO GIVE PRESENCE *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** SOME DON`T WORK WITH THE SAME GRAVITY *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** DON`T SHOW EVERY SIDE OF THINGS *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** CONSTRUCTIVE CONTRADICTIONS *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** A DEEP TIME JOURNEY *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** PERCEPT, AFFECT AND CONCEPT *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** PRESENCE AGAINST EXISTENCE *** *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS
*** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** DESIRING MACHINES *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** *** SALAO CARAMELO *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** DON`T SHOW EVERY SIDE OF THINGS *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** SOME DON`T WORK WITH THE SAME GRAVITY *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** PERCEPT, AFFECT AND CONCEPT *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** DESIGN IS TO GIVE PRESENCE *** *** CONSTRUCTIVE CONTRADICTIONS *** A DEEP TIME JOURNEY *** PRESENCE AGAINST EXISTENCE *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST
*** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** DESIRING MACHINES *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** *** SALAO CARAMELO *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** DON`T SHOW EVERY SIDE OF THINGS *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** SOME DON`T WORK WITH THE SAME GRAVITY *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** PERCEPT, AFFECT AND CONCEPT *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** DESIGN IS TO GIVE PRESENCE *** *** CONSTRUCTIVE CONTRADICTIONS *** A DEEP TIME JOURNEY *** PRESENCE AGAINST EXISTENCE *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST
*** PERCEPT, AFFECT AND CONCEPT *** SOME DON`T WORK WITH THE SAME GRAVITY *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** A DEEP TIME JOURNEY *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** SALAO CARAMELO *** DON`T SHOW EVERY SIDE OF THINGS *** CONSTRUCTIVE CONTRADICTIONS *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** DESIGN IS TO GIVE PRESENCE *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** *** PRESENCE AGAINST EXISTENCE *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** DESIRING MACHINES *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING
*** PERCEPT, AFFECT AND CONCEPT *** SOME DON`T WORK WITH THE SAME GRAVITY *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** A DEEP TIME JOURNEY *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** SALAO CARAMELO *** DON`T SHOW EVERY SIDE OF THINGS *** CONSTRUCTIVE CONTRADICTIONS *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** DESIGN IS TO GIVE PRESENCE *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** *** PRESENCE AGAINST EXISTENCE *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** DESIRING MACHINES *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING
*** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** CONSTRUCTIVE CONTRADICTIONS *** *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** DESIGN IS TO GIVE PRESENCE *** DON`T SHOW EVERY SIDE OF THINGS *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** DESIRING MACHINES *** *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** SALAO CARAMELO *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** A DEEP TIME JOURNEY *** SOME DON`T WORK WITH THE SAME GRAVITY *** PRESENCE AGAINST EXISTENCE *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** PERCEPT, AFFECT AND CONCEPT *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT
*** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** CONSTRUCTIVE CONTRADICTIONS *** *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** DESIGN IS TO GIVE PRESENCE *** DON`T SHOW EVERY SIDE OF THINGS *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** DESIRING MACHINES *** *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** SALAO CARAMELO *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** A DEEP TIME JOURNEY *** SOME DON`T WORK WITH THE SAME GRAVITY *** PRESENCE AGAINST EXISTENCE *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** PERCEPT, AFFECT AND CONCEPT *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT
*** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** DON`T SHOW EVERY SIDE OF THINGS *** CONSTRUCTIVE CONTRADICTIONS *** *** PERCEPT, AFFECT AND CONCEPT *** PRESENCE AGAINST EXISTENCE *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** A DEEP TIME JOURNEY *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** DESIRING MACHINES *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** SALAO CARAMELO *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** SOME DON`T WORK WITH THE SAME GRAVITY *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** DESIGN IS TO GIVE PRESENCE
*** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** DON`T SHOW EVERY SIDE OF THINGS *** CONSTRUCTIVE CONTRADICTIONS *** *** PERCEPT, AFFECT AND CONCEPT *** PRESENCE AGAINST EXISTENCE *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** A DEEP TIME JOURNEY *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** DESIRING MACHINES *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** SALAO CARAMELO *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** SOME DON`T WORK WITH THE SAME GRAVITY *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** DESIGN IS TO GIVE PRESENCE
*** CONSTRUCTIVE CONTRADICTIONS *** PERCEPT, AFFECT AND CONCEPT *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** SALAO CARAMELO *** PRESENCE AGAINST EXISTENCE *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** DON`T SHOW EVERY SIDE OF THINGS *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** SOME DON`T WORK WITH THE SAME GRAVITY *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** DESIRING MACHINES *** A DEEP TIME JOURNEY *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** DESIGN IS TO GIVE PRESENCE
*** CONSTRUCTIVE CONTRADICTIONS *** PERCEPT, AFFECT AND CONCEPT *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** SALAO CARAMELO *** PRESENCE AGAINST EXISTENCE *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** DON`T SHOW EVERY SIDE OF THINGS *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** SOME DON`T WORK WITH THE SAME GRAVITY *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** DESIRING MACHINES *** A DEEP TIME JOURNEY *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** DESIGN IS TO GIVE PRESENCE
*** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** CONSTRUCTIVE CONTRADICTIONS *** DON`T SHOW EVERY SIDE OF THINGS *** SALAO CARAMELO *** A DEEP TIME JOURNEY *** SOME DON`T WORK WITH THE SAME GRAVITY *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** PERCEPT, AFFECT AND CONCEPT *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** DESIRING MACHINES *** DESIGN IS TO GIVE PRESENCE *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** PRESENCE AGAINST EXISTENCE *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY
*** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** CONSTRUCTIVE CONTRADICTIONS *** DON`T SHOW EVERY SIDE OF THINGS *** SALAO CARAMELO *** A DEEP TIME JOURNEY *** SOME DON`T WORK WITH THE SAME GRAVITY *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** PERCEPT, AFFECT AND CONCEPT *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** DESIRING MACHINES *** DESIGN IS TO GIVE PRESENCE *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** PRESENCE AGAINST EXISTENCE *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY
*** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** A DEEP TIME JOURNEY *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** CONSTRUCTIVE CONTRADICTIONS *** SOME DON`T WORK WITH THE SAME GRAVITY *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** SALAO CARAMELO *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** PRESENCE AGAINST EXISTENCE *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** *** PERCEPT, AFFECT AND CONCEPT *** DON`T SHOW EVERY SIDE OF THINGS *** DESIRING MACHINES *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** DESIGN IS TO GIVE PRESENCE *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING
*** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** A DEEP TIME JOURNEY *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** CONSTRUCTIVE CONTRADICTIONS *** SOME DON`T WORK WITH THE SAME GRAVITY *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** SALAO CARAMELO *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** PRESENCE AGAINST EXISTENCE *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** *** PERCEPT, AFFECT AND CONCEPT *** DON`T SHOW EVERY SIDE OF THINGS *** DESIRING MACHINES *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** DESIGN IS TO GIVE PRESENCE *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING
*** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** SOME DON`T WORK WITH THE SAME GRAVITY *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** A DEEP TIME JOURNEY *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** DESIGN IS TO GIVE PRESENCE *** *** *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** PRESENCE AGAINST EXISTENCE *** SALAO CARAMELO *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** CONSTRUCTIVE CONTRADICTIONS *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** DESIRING MACHINES *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** PERCEPT, AFFECT AND CONCEPT *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** DON`T SHOW EVERY SIDE OF THINGS
*** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** SOME DON`T WORK WITH THE SAME GRAVITY *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** A DEEP TIME JOURNEY *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** DESIGN IS TO GIVE PRESENCE *** *** *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** PRESENCE AGAINST EXISTENCE *** SALAO CARAMELO *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** CONSTRUCTIVE CONTRADICTIONS *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** DESIRING MACHINES *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** PERCEPT, AFFECT AND CONCEPT *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** DON`T SHOW EVERY SIDE OF THINGS
*** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** *** DESIGN IS TO GIVE PRESENCE *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** PRESENCE AGAINST EXISTENCE *** CONSTRUCTIVE CONTRADICTIONS *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** A DEEP TIME JOURNEY *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** DON`T SHOW EVERY SIDE OF THINGS *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** SOME DON`T WORK WITH THE SAME GRAVITY *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** PERCEPT, AFFECT AND CONCEPT *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** DESIRING MACHINES *** SALAO CARAMELO
*** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** *** DESIGN IS TO GIVE PRESENCE *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** PRESENCE AGAINST EXISTENCE *** CONSTRUCTIVE CONTRADICTIONS *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** A DEEP TIME JOURNEY *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** DON`T SHOW EVERY SIDE OF THINGS *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** SOME DON`T WORK WITH THE SAME GRAVITY *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** PERCEPT, AFFECT AND CONCEPT *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** DESIRING MACHINES *** SALAO CARAMELO
*** TUPI OR NOT TUPI: THAT IS THE QUESTION *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** PERCEPT, AFFECT AND CONCEPT *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** A DEEP TIME JOURNEY *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** CONSTRUCTIVE CONTRADICTIONS *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** DESIRING MACHINES *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** SALAO CARAMELO *** PRESENCE AGAINST EXISTENCE *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** SOME DON`T WORK WITH THE SAME GRAVITY *** DESIGN IS TO GIVE PRESENCE *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** DON`T SHOW EVERY SIDE OF THINGS *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT
*** TUPI OR NOT TUPI: THAT IS THE QUESTION *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** PERCEPT, AFFECT AND CONCEPT *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** A DEEP TIME JOURNEY *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** CONSTRUCTIVE CONTRADICTIONS *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** DESIRING MACHINES *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** SALAO CARAMELO *** PRESENCE AGAINST EXISTENCE *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** SOME DON`T WORK WITH THE SAME GRAVITY *** DESIGN IS TO GIVE PRESENCE *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** DON`T SHOW EVERY SIDE OF THINGS *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT
*** PRESENCE AGAINST EXISTENCE *** *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** CONSTRUCTIVE CONTRADICTIONS *** A DEEP TIME JOURNEY *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** DON`T SHOW EVERY SIDE OF THINGS *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** PERCEPT, AFFECT AND CONCEPT *** SALAO CARAMELO *** SOME DON`T WORK WITH THE SAME GRAVITY *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** DESIGN IS TO GIVE PRESENCE *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** DESIRING MACHINES *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT
*** PRESENCE AGAINST EXISTENCE *** *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** CONSTRUCTIVE CONTRADICTIONS *** A DEEP TIME JOURNEY *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** DON`T SHOW EVERY SIDE OF THINGS *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** PERCEPT, AFFECT AND CONCEPT *** SALAO CARAMELO *** SOME DON`T WORK WITH THE SAME GRAVITY *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE *** DESIGN IS TO GIVE PRESENCE *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** DESIRING MACHINES *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT
*** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** CONSTRUCTIVE CONTRADICTIONS *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** SOME DON`T WORK WITH THE SAME GRAVITY *** PERCEPT, AFFECT AND CONCEPT *** DESIRING MACHINES *** SALAO CARAMELO *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** DON`T SHOW EVERY SIDE OF THINGS *** A DEEP TIME JOURNEY *** *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** *** PRESENCE AGAINST EXISTENCE *** DESIGN IS TO GIVE PRESENCE *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE
*** MIAMI UNDERGROUND, OVERGROUND, GROUNDED *** WHAT COMES AFTER WILL NOT BE LIKE WHAT CAME BEFORE *** YOU HAVE TO INVENT ARCHITECTURE ACCORDING TO YOUR VISION OF THE WORLD *** AN UNCOMPROMISING DESIRE TO TELL IT LIKE IT IS *** DIE BEDINGUNGEN UND ZUSTÄNDE SIND NIE MEHR DIESELBEN, DOCH DIE HALTUNG MUSS IMMERZU GENAUSO ÜBERZEUGEND UND KOHÄRENT SEIN *** CONSTRUCTIVE CONTRADICTIONS *** WHAT EMERGES IS A STATIC BALANCING ACT THAT UNLEASHES AN ENERGETIC, EXPANSIVE SENSE OF SPACE AND ENGENDERS AN ARCHITECTURAL LANGUAGE RICH IN ASSOCIATIONS *** SOME DON`T WORK WITH THE SAME GRAVITY *** PERCEPT, AFFECT AND CONCEPT *** DESIRING MACHINES *** SALAO CARAMELO *** NEVER BUILD FOR NEEDS: A SPACE EVOKES ITS USE. IT TRANSCENDS NEEDS *** IHRE PRÄSENZ BLEIBT DABEI IMMERZU STARK UND SCHWACH, LEICHT UND SCHWER *** TUPI OR NOT TUPI: THAT IS THE QUESTION *** DON’T TAKE THESE MIAMI BEACH HOTELS SERIOUSLY; THEY’RE BUILT FOR FUN *** BY MEANS OF ITS REFLECTIONS, INTERSECTIONS AND PENETRATIONS, THE PROJECT INTERLOCKS WITH ITS CONTEXT AND BECOMES AN ALMOST NATURAL PART OF IT *** LIGHT AND HEAVY: A REPORT ON A BUILT VISION OF BRAZILIAN MODERNITY *** DIE ARCHITEKTUR NIMMT SICH DORT ZURÜCK, WO DIES ERFORDERLICH WIRD, UND SCHAFFT DORT EINEN RAHMEN WO ES NÖTIG IST *** BANCO DE LONDRES EN BUENOS AIRES: UNA DE LAS OBRAS MAS VALIDOSAS DE AMERICA LATINA- UNA ESCULTURA COHERENTE, FLUIDA *** DON`T SHOW EVERY SIDE OF THINGS *** A DEEP TIME JOURNEY *** *** IT IS ONLY LOGICAL AND INDISPENSABLE THAT A RISK MUST BE TAKEN *** BUT I’M NEVER SURE WHERE EXACTLY IT FITS *** THE RED BUILDING AND THE GREEN MACHINE: THE AIR WILL BE FILTERED THROUGH THE GREENHOUSE, WHICH VIRTUALLY SERVES AS AN OXYGEN RESERVE, AND THE PLANTS SPREAD THE PURIFIED OXYGEN WITH GREATLY REDUCED LEVELS OF CARBON DIOXIDE THROUGH THE VENTILATION SYSTEMS IN EACH AREA OF THE BUILDING *** DIE GESCHWUNGENE GRUNDIRSSFORM IST IN EINER MANIER AUSTARIERT, DASS DIE LINIE PERFEKTER KAUM SEIN KÖNNTE *** *** PRESENCE AGAINST EXISTENCE *** DESIGN IS TO GIVE PRESENCE *** VIDA SOCIAL; FORMADOS POR UNA VARIACION DE ELEMENTOS LO SUFICIENTEMENTE AMPLIA, QUE- DENTRO DEL MINIMO DE RECURSOS TECNICOS Y ECONOMICOS- LOGRE ALCANZAR LA MAXIMA EXPRESSION DE LOS VALORES HUMANOS, ESPACIALES Y ESTETICOS QUE FUNDAMENTAN LA ARQUITECTURA *** DIE PLANER HABEN SICH ÜBER DIE MENSCHEN UND DIE NATUR HINWEGGESETZT. DAS EXPERIMENT STADT, DAS KEINES SEIN SOLLTE, HAT NIE FUNKTIONIERT *** THE SOUTH CAMPUS OF MIAMI: A CONCRETE PRESENCE AND URBAN COLLECTIVE